James Delingpole
Politics • Culture • Writing
Clarkson's Farm Is Building Your Gulag
June 11, 2025
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I love Clarkson’s Farm. I love Kaleb. I love Gerald and his fake impersonation of an impenetrable rustic accent. I love Lisa. I love Cheerful Charlie. I love Richard Ham the runt piglet. I love that new tractor-driving TikTok nurse girl they pretended to find at a farmer’s recruitment agency - yeah right - while Kaleb was away being a celebrity. I love the theme tune. I love the crappy Lamborghini tractors.

But just because I love Clarkson’s Farm doesn’t mean I think it’s our friend. Because it’s not. It’s not going to save farmers. It’s not going to save the English pub. And it’s not going to save any of us from the encroaching New World Order because Clarkson’s Farm, regrettably, is part of the problem.

How could something so charming, rebellious, sweary and fun possibly be our enemy?

The short answer is that it’s on Amazon - owned by the not notably un-evil Jeff Bezos - and is enjoyed by millions and millions of viewers around the world, including in China, where it has landed a 9.6 out of 10 rating on the review website Douban. You don’t get to achieve that level of popularity, anywhere, ever, unless you’re part of the enemy’s plan.

But the longer answer is more complicated because on the surface, I concede, Clarkson’s Farm looks very much like the kind of programme our Dark Overlords wouldn’t want you to see.

It supports farming. And They hate farming. (And farmers).

It hates Political Correctness. And They invented Political Correctness.

It stands up for the English pub. And They want to close down all the English pubs.

It loathes bureaucracy. And bureaucracy is one of Their primary control mechanisms.

It stars the man whose entire career is founded on his love of the internal combustion engine. And of course They hate the internal combustion engine almost more than They hate anything.

And it’s funny. Which They hate even more than They hate the internal combustion engine because They have no sense of humour.

This, though, is the nature of all psyops. On the surface, it all looks very convincing. It’s only after you’ve looked under the bonnet that you begin to realise you’ve been sold a lemon.

Let’s put ourselves in the shoes - red shoes probably - of the wicked Cabal that runs the world and consider how a show like Clarkson’s Farm might serve their interests.

They’re not stupid, these people. They - or predators like them - have been successfully running the world for at least the last 6,000 years. And one of the key insights they’ve gleaned in that period is that the most effective form of slavery is the one where all the slaves imagine themselves to be free.

This is the form of slavery which has prevailed in the West over the last few centuries. It works best because when you are a slave who doesn’t know he’s a slave you're much less inclined to rebel against your masters. “I’m Spartacus,” said no one, ever, in the ‘Free World’ because in the ‘Free World’ you don’t even know you’re living under the Roman Empire.

Remember - if you’re old enough - how sorry we used to feel for all those hapless Eastern Europeans with their terrible mullet haircuts trapped behind the Iron Curtain? We had branded denim; cars that weren’t Ladas; ubiquitous groovy pop music; McDonalds. They had nothing but donkey gristle and empty supermarkets because unlike us they had failed to win the lottery in life by being born in the Free West.

Well that, I’m afraid, was another psyop. In reality, we in the Free West were little less in thrall to the Predator Class than our counterparts in the Eastern Bloc: our democratic rights were just as much of a sham; our lives were considered just as valueless by the people poisoning our water and our food, stealing our wealth and sending us off to die, when they could arrange it, in their pointless, fabricated wars. Unlike those downtrodden Commies, though we were too busy stuffing our faces with hamburgers, lusting after Blondie, and hankering after Porsches to notice.

So long as you give people the illusion of freedom of choice, our Dark Overlords have worked out, you can get away with murder.

Jeremy Clarkson, first with Top Gear, now with Clarkson’s Farm has long played a small, but not totally insignificant part in promoting that illusion.

Which isn’t to say he isn’t a very talented writer, an inspired TV comedy character act or a decent, likeable bloke.

On the last score, I’ve met him, and I don’t think there’s a bad bone in his body. What you see of Jeremy on TV is very much what you get in real life. There’s no side to him, for if there were I doubt he would have become the success he has, authenticity being a key part of his appeal. Clarkson’s schtick is to be a curmudgeonly, old fashioned sort who is not afraid to say the stuff you’re not allowed to say any more. He has cornered this market, almost singlehanded, in the otherwise gag-inducingly bien-pensant, parochial, up-its-own-arse world of British television. He does it very well. And I don’t begrudge him a penny of the tens of millions of pounds it has made him over the years. He works very hard and he deserves it.

But it’s quite possible to be doing the Enemy’s work for them without knowing you are doing the Enemy’s work for them. Indeed, that is largely how the system runs.

Clarkson, like everyone else in the public eye, is resolutely Normie in his outlook. When, for example, I met him at a party in the Covid era, he was recovering from the full set of jabs. I cannot remember now whether or not I broached the subject of how the Plandemic had been a massive scam designed to blackmail us in to taking kill shots - he was more interested in asking about my latest TV recommendations - but I do know that had I done so I would have been wasting my breath.

It’s not that Clarkson is stupid or allergic to any opinions but his own or even averse to the general notion that the System is out to get us. Rather, it’s that like everyone else who operates in the sphere of media/politics/entertainment, Clarkson knows instinctively where the edge of acceptable opinion lies. So he’ll be happy to take a risk on something as faux-edgy - and on-brand - as using a dated, almost defunct racial pejorative (‘slope’) to describe an oriental person on a bridge on a Top Gear Burma special because he knows all it will get him is a slap on the wrist from the regulator Ofcom which will only boost his reputation as TV’s loveable naughty boy. But what he won’t ever do is be caught entertaining the kind of opinion - say, Covid was made up; vaccines are designed to kill us; the government knows this - that might jeopardise his career in the mainstream.

There have been times in the past when I have thought him a coward. His continual flip flopping on ‘climate change’ - depending on whether he is being interviewed by the Guardian or bantering on Top Gear - seems especially pusillanimous given that he must know it’s the excuse They are using to get rid of his beloved V8 engines. But I don’t think his positions on the subject are sufficiently thought-through to qualify as full blown cowardice. He probably feels in his bones that climate change is bollocks but has made a tactical decision not to investigate too deeply because then he’d end up nailed down to a position he would have to defend. And Clarkson is an entertainer, not a campaigner, let alone an activist.

Because the fashion these days is for everyone on TV to be seen engaging in activism - from Chris Packham and Hugh Fearnley Whittingstall to Jamie Oliver and the Whispery-Voiced Gorilla Botherer himself - the complicit media has affected to believe that that’s what Clarkson is doing too. In the early seasons of the series, he was accused of being the saviour of British farming; now - because he has opened a pub - he has been accused of trying to save the British pub.

“Can Clarkson’s Farm Save the Great British Pub?” a feature in the Telegraph the other day was actually headlined.

I can answer that: “No”.

In fact Clarkson’s Farm is more likely to hasten the demise of the Great British Pub - and for the same reasons it is more likely to hasten the demise of the Great British Farm.

First, and most obviously, it portrays farming and pub-owning in such a dispiriting light that no one in their right mind would choose to do either. For those currently in these industries, it will confirm that they are right to be considering quitting. Those who might have considered replacing them will quickly change their mind when they realise how overburdened with bureaucracy they will be and how impossible they will find it to make any even a subsistence income.

Yes, of course Clarkson’s Farm has done much to raise public sympathy for farmers - and pub owners. But it does so by presenting their plight in the context of a battle that has already been lost. “Not even Jeremy Clarkson with all the cushioning of his Amazon money and his Sunday Times and Sun column money can make a living out of these businesses,” runs the subtext.

The predominant mood of the show - heavily reinforced by the editing, choice of music, etc - is elegiac. Sure there are some jaunty moments too. But it’s jollity-in-the-face-of-insuperable-odds jauntiness. It’s spirit of Dunkirk jauntiness. It’s yet more of the cultural programming to which the British have been relentlessly subjected since at least Captain Scott’s doomed mission to the Antarctic (1912). “We might no longer great. But we’re still world beaters at heroic failure,” it reassures us.

Even more dangerous than the show’s subtly demoralising tone, though, is its continual misdirection. One, fairly basic example of this is the way Clarkson’s endless difficulties with planning restrictions, environmental regulations and suchlike are presented as the creation of faceless bureaucrats and overzealous jobsworths.

Among the show’s betes noires is West Oxfordshire District Council, whose representatives were responsible for such kill-joy behaviour as voting against Clarkson being permitted to open a restaurant in a disused barn, in the middle of his land, next to his farm shop.

This is fair enough, up to a point. Local councils are indeed full of tinpot dictators whose powers have gone to their head. Some councillors are corrupt, stupid, incompetent or all three. Sometimes they make decisions which are clearly against the interests of the council-taxpayers that they are supposedly there to serve.

But like their counterparts in national government, they are merely functionaries, who take their orders not from below (as the notion of ‘democracy’ gulls us into believing) but from much higher up the food chain. Ultimately, the people calling the shots are the ones who set the global agenda at secretive institutions like the Bilderberg Group, the Committee of 300, the Council on Foreign Relations, the Club of Rome and, a bit lower down in the pecking order, the World Economic Forum. These are the bodies that invent concepts like Sustainable Development Goals, which are then introduced the regulatory system by shadowy ‘Steering Committees.’

Just because these bodies are secretive and shadowy, though, does not mean they are invisible. You only have to look at the Sustainable Development Goal badges - colour wheels worn on the lapel - sported by all the world leaders at their various summits to understand that this the true source of all our rules and regulations. Like the proverbial concentration camp guards, our leaders are only obeying orders.

This might be - indeed it is - a conspiracy. But it is not a theory. It is a conspiracy in plain sight. Which means that no one, such as Clarkson, with a journalistic background and a duty to the public whose opinions they shape can blame their ignorance of the problem on lack of available information. If they are ignorant it is because, for whatever reason, they have chosen to be ignorant.

The word ‘chosen’, though, covers a multitude of possible sins. Yes, it could be that Clarkson knows EXACTLY what is going on and is deliberately concealing it because his wicked paymasters have ordered him to do so. But I think it far more likely that the sin here is the venial one of negligence. Or sloppiness. Or laziness. Or going along to get along. Or, ‘wanting to keep my partner and family in the style to which they have become accustomed.’

And think of the circles in which Clarkson moves. When he’s not busy farming or filming or writing his various columns, he’ll be hanging out either with the Cotswolds smart set or with London media luvvies. Neither of these groups is notably Awake. Like most people, they have been programmed to think that anything that looks like a ‘conspiracy theory’ is not worth investigating, let alone entertaining, because that will render you beyond the pale of rational human discourse. Ergo, even if you do have doubts about the weird weather we’ve been having, best to blame ‘climate change’ - as all the newspapers, including the ones that host your two lavishly paid columns, are doing - rather than ‘geoengineering.’

Still, Clarkson does know about geoengineering. He must do because he once researched a feature item for it on an old episode of Top Gear, where he demonstrated the effects of a rain-making machine.

“NASA is playing God. It’s making its own weather!” he enthused.

Does he imagine that NASA has since lost the technology, a bit like it lost all the telemetry data of its various missions to the moon?

Does he have a very short memory?

Nope. I think much more likely what we have here is a case of Schrödinger's Clarkson - the phenomenon, common among public figures, where you can keep two contrary ideas in your head simultaneously.

So, yes, Clarkson knows that They have the technology to do whatever the hell They like to the weather - and have done probably for decades.

But he also knows that the torrential, worst-in-73-years rain that ruined the harvest at Diddley Squat Farm and every other farm in Britain last year couldn’t possibly be the result of geoengineering because, well for starters, They just haven’t got the technology…

See how it works? We’re back to that Upton Sinclair dictum: “It’s difficult to get a man to understand something, when his salary depends on his not understanding it.”

Personally, I think it’s quite painfully obvious that last year’s weather a) had NOTHING to do with the totally made up, Rockefeller-invented concept of ‘Climate Change’ and b) that it was definitely artificially generated by HAARP, NEXRAD, cloud seeding and other Cabal geoengineering devices with the express purpose of crushing the spirit and destroying the finances of British farmers.

But I think it’s equally obvious that never in a million years are you going to get a figure of Clarkson’s level of celebrity or a programme with the reach of Clarkson’s Farm admitting any of this.

This is because the primary purpose of all so called screen ‘entertainment’ is not to entertain you but to brainwash you. The ‘entertainment’ bit is just the delivery mechanism; but the propaganda points are the actual purpose.

Clarkson’s Farm, like all popular TV, is chock full of such propaganda points but most viewers are so busy being amused by Clarkson’s banter or Kaleb’s haircuts or the cuteness of the piglets they don’t notice.

They include:

  • Gerald getting cancer, Alan the builder having to have quadruple bypass surgery, and Clarkson’s next season near-death collapse - these are just normal things that happen to the over-fifties and nothing whatsoever to do with the vaccines.

  • Sure all the pubs are closing in Britain. But it’s all to do with little local difficulties like staffing and infrastructure and planning regs and tight margins. Nothing whatsoever to do with a deliberate and concerted plan by the elites to destroy one of the few remaining institutions where people can congregate, drink and talk about the state of the world.

  • Covid was just another of those things. It just was. Nothing to see there.

  • Your vet is a lovely, knowledgeable, practical bloke who wouldn’t be given all the animals those jabs if he didn’t know it wasn’t good for them.

  • Supporting British producers by selling only locally grown produce, bought direct from farmers so as to cut out the middle man, is a great idea in theory but in practice modern supply chains can’t cope.

  • Regulations - on rewilding, on the kind of seeds you are permitted to sow, the kind of crops you must grow, on what you can and cannot do with your land and buildings, on everything else besides - are just (resigned sigh from Cheerful Charlie) stuff you have to face up to like a grown up and are probably all to the good of the environment. They have nothing whatsoever with the elites’ deliberate and concerted plan to kill property rights, drive farmers out of business and force us all to starve.

  • This awful weather: even if you didn’t believe in Climate Change before, you can’t not do after this, can you, Clarkson fans?

  • The world is going to shit. But hey, if TV can’t necessarily save us it can at least give us a few wry laughs on the way out.

If you’re tempted to respond that “well of course, Clarkson’s Farm can’t say any of the edgy, dangerous stuff you’d really like it to say, because then it would never have got made”, I’d say: “Thank you for making my point.”

All TV is enemy propaganda. But the most effective enemy propaganda of all is the stuff that tricks you into thinking it’s the exception to the rule.

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All They Want Is Your Soul

One of my unlikely podcast guests this week is Nick Griffin.

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It was prompted when I asked him about whether any attempts had ever been made by shadowy forces to buy him off.

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Most Journalists Don't Realise They Are Working for Satan

Sometimes my wife’s newspaper tricks me into reading it. I hate it when this happens, still more so when, as it did the other day, it reduces me to a state of apoplexy.

The story that enticed me was headlined: ‘I Went Off Grid At The End Of My Garden To See If I’d Cope After Armageddon.’ It was accompanied by a picture of the author in woollen hat and anorak, looking glum, superimposed onto a still from one of those post-apocalyptic movies where all the ruined tower blocks are now overgrown with weeds. Well, you can see why I was tempted…

What infuriated me was the very first paragraph:

The Russians have invaded. That’s the most credible scenario, though we can’t rule out a climate catastrophe, deadly pandemic or, indeed, nuclear Armageddon.

‘You bastard!’ I swore at the author, one George Chesterton. ‘You despicable traitor to the human race!’

Possibly this was unfair of me. Chesterton will have been given his brief - ‘Keep it light!’ - and probably thought he was just doing his job. It may well be that, being very likely of a Normie persuasion, he didn’t even notice what he was doing here.

But I noticed.

There is nothing remotely ‘credible’ about the ‘scenario’ of a Russian invasion of the UK. Nor, indeed of a ‘climate catastrophe.’ Nor yet, of a ‘deadly pandemic.’ As for ‘nuclear Armageddon’, for that to happen nukes would first have to exist as viable weapons of mass destruction, which I’m not at all convinced that they do.

Every conceit of that opening paragraph is a lie - and an abominable lie at that because each one of them reinforces in the public imagination a premise which has been designed by some very bad people, the worst in the world, to scare us, to manipulate us, and to exploit us.

This piece is a perfect example of why I so loathe and despise my old trade, print journalism. In the guise of innocuous entertainment, it reinforces our Enemy’s mendacious scare narrative.

People reading that article will have done so with their defences down. “Here’s a bit of fun,” they’ll think, as they approach it, recognising from the comical illustration and the positioning of the article not in the main body of the newspaper but in the lighter-read pull-out supplement that this is not to be taken too seriously.

When you’re relaxed you are much more vulnerable to subliminal messaging. The subliminal message here is: “Russia is a threat. Probably the main thing you should worry about right now. War with Russia is very likely. If it weren’t likely the Swedes wouldn’t have produced this booklet called ‘Om Kristen Ellen Kriget Kommer’ - ‘In case of crisis or war’ - which we are now promoting in this light-hearted piece. So when war with Russia comes, don’t say we didn’t warn you.”

What I find particularly objectionable about this - it’s probably the reason I got so cross - is that I’m still in the midst of reading Two World Wars And Hitler - Who Was Responsible? by Jim Macgregor and John O’Dowd. And what that book makes abundantly clear is that neither the First nor the Second World War started by accident. Both wars were orchestrated by the same kind of people - the Anglo-American Establishment, loosely speaking - who are now pushing us inexorably towards the hot stage of the Third World War, perhaps in the Middle East, perhaps in the Ukraine, using the same methods they used to promulgate the first two wars in their long-planned series of three.

Here, in case you missed it, is my long-read take on that subject.

https://www.jamesdelingpole.co.uk/Writing/Articles/how-to-murder-100-million-people-and-come-out-smelling-of-roses

Short version: none of us actually wants war because war is horrible and stops us doing all the much nicer things we’d prefer to do with our lives like having a family, making a home, and not having our friends killed or our limbs blown off. That’s why They - the Predator Class for whom war is a primary business model - can only get us to participate in Their wars through trickery and cajolery and subterfuge.

Subterfuge like that article I just mentioned above. It’s pretending to be a light, frothy, amusing read. But what it really is is pro-war propaganda.

Same goes for the cartoon the same paper - The Daily Telegraph - ran the next day. The cartoon showed someone in a rowing boat flying the white ensign of the Royal Navy shouting through a megaphone “We see you, Putin. We’re ready.” Meanwhile, beneath the waves, in a sinister submarine with some grabby claws at the front, lurks Putin, ready to destroy Britain’s puny defences.

If you went back about 175 years you’d see British newspapers running similarly unfunny cartoons, probably featuring a giant bear (with ‘Russia’ written on it) sneaking up on a lion or a unicorn or maybe a woman draped in a Union flag (with ‘Britannia’ written on her). Plus ça change.

I complained at the beginning about being ‘tricked’ by my wife’s newspaper into reading it. But quite often, if I’m honest, I don’t need to be tricked. As often as not, my incentives are a mix of morbid curiosity and masochism.

When I read the papers, especially The Telegraph where I worked for many years briefly as a specialist news reporter (Arts Correspondent) and mainly as a feature writer and commentator, I feel like a betrayed wife trawling her memory banks in search of all the instances where she should have noticed her husband was having an affair but failed to do so.

Like the injured wife, I now know that my former partner - the mainstream media - is not the decent upstanding chap I thought he was but a creature of monstrous depravity and evil. Indeed, I sometimes wonder whether the media isn’t more wicked than even Hollywood or the music industry. Without the media’s relentless lies and social conditioning, after all, we would not be nearly so susceptible to the machinations of our dark overlords. The press is what allows our enemies to get away with murder.

But I didn’t know this at all in the decades I spent working for it. And the question I often ask myself is: “How could I have missed what now seems so obvious to me?”

The answer, I think, is that as with the NASA space programme, only a handful of people need to be in on the secret. The vast majority of NASA employees, I’m sure, genuinely believed that they were sending men to the moon. The vast majority of mainstream media employees, I’m equally sure, believe (or at least have persuaded themselves) that they are speaking truth to power without fear or favour, getting to the bottom of what’s really happening in the world, being the first to ‘break’ ‘the news’, and so on. In both cases, the innocent dupes are so focused on the minutiae of their specific tasks they don’t have time to consider the bigger picture or ask questions like “But whose agenda am I really serving here?”

Consider the place where all the biggest lies are originally promulgated. The news room. If you’re the kind of person who reads my stuff you’re probably the kind of person who knows already that most of what appears in the news pages is literally fake news. “Terrorist” outrages, for example.

Just recently, there was a story all over the UK media - to which I paid little attention because it was all over the UK media - about some immigrant black person on a train going rogue and stabbing lots of people.

“Bollocks!” was my instant mental reaction when my one of my kids told me about it. Miri AF smells a rat too.

https://miri.substack.com/p/on-a-knife-edge

Let’s assume that our hunch is correct and that the entire story was fake, that the participants were all crisis actors, that it was yet another false flag devised by the intelligence services to ramp up fear, justify more state monitoring and regulation, and usher in the planned Nigel Farage/Reform regime… Surely that must make all the news reporters who wrote up the story complicit in the crime?

Well, no. At least not knowingly complicit. When a terror incident story breaks, the chances are that none of the news reporters who write it up initially will be anywhere near the scene. They will be stuck in the newsroom in London - and under pressure to get the ‘story’ out for ‘edition’, ie in time for it to appear in tomorrow’s print edition of the newspaper.

Therefore, in the first instance they will do little if any additional investigation of the story. They will take their stories from ‘the wires’, that is from the various press agencies, Associated Press (AP), Reuters and Agence France-Presse (AFP). All the press agencies are owned and controlled by the Cabal. Their job is to put out the official narrative, as dictated to them by The Powers That Be. But there’s no reason why the grunt hacks who take their stories from ‘the wire’ should know this. As far as most journalists are concerned, the Press Agencies are the gold standard, with bigger budgets, bigger staff, more access to information than anyone. No need to query their ‘facts’ either because all your competitor newspapers will be using the same information, which is all that really matters: consistency.

As the story develops there will be room for more active reporting: human interest stories about the experiences of the ‘victims’, a site trip to the location of the incident perhaps incorporating descriptive colour and the reactions of local people, etc.

But any independent reporting will be heavily constrained. Suppose, say, reporters had wanted to visit the Huddersfield train to see for themselves the blood-stained carriage. Well they wouldn’t have been allowed on board, most likely, because the police would have declared it to be a ‘crime scene.’ Same with access to the ‘victims’: it would be rendered impossible, for any number of reasons, from ‘too traumatised’ or ‘unwilling to speak’ or ‘being treated in hospital.’ So really, why bother? Why not instead do what news rooms do and rewrite stories from the wires….

This explains something I often noticed as a journalist but could never quite put my finger on: why disaster stories always felt slightly unreal and the reporting on them always a bit unsatisfactory.

I remember, for example, the incident in 2013 when a British soldier called Lee Rigby was supposedly beheaded in the streets of London by Islamist terrorists. This is quite an unusual and dramatic and frankly hard-to-pull-off thing to occur. How did they spot him if he was in civilian clothes? How come no one intervened as the baddies were busily chopping his head off? Why were the eye-witness accounts so mysteriously sketchy? Why wasn’t there more blood - I mean isn’t there LOTS of blood when you chop someone’s head off?

Neither on the day when I read the ‘news’ - nor in the subsequent follow-up reports, did I get any sense that what purportedly had happened really had happened. This didn’t mean that I discounted the story. For years afterwards, I trusted - because the newspapers wouldn’t lie, I thought - that there was a soldier called Lee Rigby and that he really had been beheaded in the street by two Islamic terrorists. But something about it just didn’t feel right and it was only years later that I realised why: that the whole thing was another bollocks, staged, false-flag operation.

When The Powers That Be are setting up fake news stories like this, one thing they are careful to factor in is repetition. That is, in order for the Big Lie to embed itself in the public consciousness it has to be repeated over and over again until even the very stupid people at the back of the class have taken the Big Lie onboard. One way the media effects this with news stories is to drip out new pieces of information each day, supposedly reflecting the diligent further inquiries of reporters, but really just reflecting how the lie narrative has been storyboarded: Day One: the sketchy, bare bone facts as the story breaks; Day Two: the shocked aftermath, prayers and tributes; Day Three: tales of heroism and tragedy from plucky survivors and grieving relatives.

With the Huddersfield train story, one of the ways they kept it alive was with human interest stories about passengers who had heroically fought back. A story in the online regional newspaper Nottinghamshire Live, later picked up by all the big league tabloids such as the Mail, told of a “Huntingdon train hero” who had been planning to watch his football team Nottingham Forest play at an away game in Austria. Cruelly and unforgivably, according to the story, the airline Ryanair had refused to refund his flight.

Further down the report is the interesting detail that ‘an online fundraiser via JustGiving’ has been created in the hero’s name ‘with the hopes of financially supporting him while he recovers from his injuries.’ Already, we learn, ‘more than £50,000’ has been raised.

I’d lay £50,000 that no reporters on any newspaper will have been there to examine the scars when he pulled off his bandages. As we journalists used to joke back in the day - and as quite possibly they still do - ‘never let the facts get in the way of a good story.’

Everyone who doesn’t work in the media assumes that everyone who does work in the media must be knowingly complicit in the lies that the media spews out every day. My contention, as a former insider, is that this ain’t necessarily so.

So who does know? I suspect by the time you get to the level of editor - or just before you are offered the job - that it is made clear to you what the deal is. Editors, even now that no one buys newspapers, get outrageous pay packages, often including perks like chauffeur-driven cars daily from their agreeable country homes. They also get to become figures of influence. It’s possible that shilling on behalf of evil Satanic elites and destroying their people and their country wasn’t what they signed up for when they started out as cub reporters/got fast tracked to the leader page editorial team thanks to their Oxbridge degree. But big money makes nasty conscience problems go away.

Lower down the feeding chain, it’s hard to say who is genuinely compromised and who is just a useful idiot of the corrupt system. But I’d say that the vast majority of hacks fit into the latter category. One reason I’m pretty sure of this is that I know journalists to be incorrigible gossips. In my day, a lot of them used to drink quite heavily too. What do you talk about over a pint? You talk about work. You trade inside information. And I can assure you that never once in my years as a journalist, including several years as a newspaper staffer, did I ever hear a news hack say anything like: “Well you realise that Diana was still alive and able to walk when they pulled her out of the vehicle. A Merovingian blood sacrifice, that’s what it was, orchestrated by Prince Philip” or “Head chopped off in the streets of Woolwich? You’re bloody kidding me, aren’t you? Everyone in the know knows that this was another MI5 false flag.” Nor, ever, did I hear a hack on the foreign desk intimate that 9/11 was an inside job.

The fact is that most journalists actually believe the crap that goes under their bylines. News reporters, certainly, because most news reporters don’t do any actual reporting. Rather they collate and lightly edit the information that has been handed to them by trusted authorities - the emergency services, the news agencies, etc. Their main sin - and it’s a venial one, not a venal one - is to be far too trusting of their sources. And too lazy - or time pressed - to make independent inquiries.

Because I was never myself a proper news reporter - being Arts Correspondent doesn’t really count because all it involves is going to theatrical first nights and writing about arts funding crises and such like - I don’t consider myself responsible for any of the disgusting Cabal propaganda the Telegraphran in its news pages while I was working for it.

But that doesn’t quite let me off the hook. Earlier I described the news room - though strictly speaking I should have said ‘editorial conference’ - as the place where all the biggest newspaper lies are originally promulgated. It’s the opinion formers, though, in the comment and editorial sections who do the worse damage, in my view. And since I was one of them, I feel I owe you an explanation. But that will have to wait till the second part of this piece…

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