James Delingpole
Politics • Culture • Writing
Was Ozzy Osbourne a Satanist?
July 24, 2025
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Did you know that Ozzy Osbourne was a closet Christian?

No, I didn’t either but here is a post someone kindly sent me from the Telegram channel of Paul Fleuret (Absolute 1776). (If I knew how to do links to people’s Telegram posts I would link to it.)

Contrary to popular belief - Ozzy was actually a Christian. And had been for at least the past 30 years.

His lead guitarist Zakk Wylde is also a Christian.

Ozzy never had any demons, pentagrams or Satanic imagery onstage. Quite the opposite - His stages were almost always adorned with angels and crosses (and not upside down ones).

And even Black Sabbath, whilst touching upon Occult themes, was not Satanic. Tony Iommi is a Christian as well.

Ozzy has openly stated his belief in Jesus Christ.

Ozzy also never beat his kids or cheated on his wife. Sharon did, however, cheat on him and he forgave her.

Sometimes to fight the darkness, you have to work within it and learn about it. You cannot defeat an enemy without knowledge of said enemy.

Working in the dark to serve the light is a thing.

Even the bat incident was overblown - he thought it was a plastic bat, and was too hammered drunk to know the difference.

Was Ozzy perfect? Hell no. Not at all. Was he a role model? Probably not. But he also owned his imperfections.

And FWIW: He is NOWHERE near any of the Pedo lists.

Ozzy is NOT who many believe he was.

Water-muddying posts like Fleuret’s are why I now somewhat regret having set out to write a piece inquiring about Ozzy Osbourne’s Satanic affiliations. My excuses are as follows: I was raised in the Birmingham area, which is where most of the early heavy metal bands came from (My uncle, for example, was Robert Plant’s lunch table monitor at Stourbridge grammar); when I was at school, a lot of the older boys in my house were into heavy metal and definitely the first time I heard the word ‘paranoid’ was in the context of that rather catchy Black Sabbath track; the more I understand about the world, the more excruciatingly aware I become of the key role played by popular music in shaping and subverting mass consciousness.

As Leon Trotsky probably would have said if he’d lived long enough: “You may not be interested in heavy metal but heavy metal is interested in you.”

The other thing that piqued my interest in the topic was reading tosh like this from Osbourne’s obituary in the Daily Telegraph.

Osbourne always ridiculed accusations of the band’s connections with Satanism, remarking that ‘the nearest we ever came to Black Magic was a box of chocolates.’

It’s quite a good line - even if it probably only makes sense if you’re English. (Black Magic were a brand of faux-up-market chocolates, heavily marketed in the 1970s and 1980s with a series of inescapable TV ads).

But like a lot of the stories and quotes in the obituary it feels a bit too pat. It’s not that I don’t believe Osbourne could conceivably have come up with such a quip - by all accounts he was an amiable, amusing, down-to-earth, and unscary character - but rather that I have learned to take with a huge pinch of salt anything we are ever told about any pop or rock band of any significance. Almost certainly it will have been dreamed up not by the ‘stars’ themselves (who are merely puppets) but by the publicists and image-makers acting on behalf of the sinister interests who really call the shots.

The rumours and counter-rumours now circulating about the ‘real’ Ozzy Osbourne are part of this misinformation and disinformation process. Take the ‘famous’ story about the bat. (Which is only famous because They made it famous).

Was it a live bat or a dead one or a fake one? Was Ozzy aware of what he was doing or so pissed out of his brain that he hadn’t a clue? Oh, and did or did he not have to a rabies injection afterwards?

If you are seriously pondering any of these questions then you have been taken for a ride. They are all designed to distract you, like a conjuror’s prestidigitation, from what is really going on here. The truth is that there is nothing particularly shocking, or even mildly interesting, about a schlocky, druggy, boozy vaudeville act biting a head off a tiny airborne mammal. Even if he did it on stage in the middle of a concert - in January 1982 at Des Moines Veterans Memorial Auditorium, apparently - hardly anyone will have realised what was going on (not least because in those days they didn’t have huge screens showing rock stars in close up). The Ozzy Osbourne bat story is and always was a nothingburger. And the only reason any of us think otherwise is because we have been told so often that it is outrageous that we have been persuaded to believe in the PR spin rather than trust our own instincts.

This is why I’m disinclined to believe the stories about Ozzy Osbourne being a secret Christian. Sure, he may well have thought that Jesus was, like, an amazing guy from whom we can learn an awful lot. Yes, he might have worn a cross - many crosses, actually - an awful lot, both on stage and off stage. Yes, he may well have believed in God. But so do lots of non-Christians, including Goths, New Agers and, let’s be brutally frank here, closet Satanists and Luciferians who profess Christianity as part of their cover. As ‘Shakespeare’ said “The devil can cite scripture for his purpose.”

Sure there are lots of stories that one can dredge up from the internet to ‘prove’ that Black Sabbath were just innocent Brummie lads having fun and in no way serving the Dark Lord of Evil. I was planning on citing a few more of them myself, just to show I’d done my homework and I knew the guitarist was called Tony Iommi and that it was the bass player Geezer Butler who wrote the lyrics to Paranoid and so on, when I suddenly remembered: “Hang on. You’re just playing the enemy’s game here…”

To understand what I mean you need to take a step back, not get distracted by the largely fabricated detail and faked-up tittle tattle about what the band did or didn’t do, and remind yourselves of the bigger picture.

The bigger picture is this: the music industry is a gigantic brainwashing instrument, run by and for gangsters and Satanic paedophiles for the purposes of destroying the family, waging war on Christianity, promoting drug and alcohol use and sexual excess, engendering cultural division and celebrating occult ritual magic in the guise of concerts. Everyone working in the industry knows this because that is part of the pact they signed - whether literally or metaphorically - when they sold their souls in return for their place in the rock and roll hall of fame.

I think it highly unlikely that there are any exceptions to this rule. But of course, we’d all like to think that there were, as I argued in Why You Can No Longer Listen To The Dark Side Of The Moon.

https://delingpole.substack.com/p/why-you-can-no-longer-listen-to-the

It’s what I call ‘But Not Kate Bush’ Syndrome. This is the delusion whereby you know everyone on the industry is evil, everyone except your personal favourite artistes who are magically exempt because their music is so great and because you saw them on stage once and they were obviously lovely people who had a real rapport with you.

I suppose in the case of Ozzy Osbourne, lots of people want to believe that he was all right because of his lovably bumbling, out-of-it persona, lank hair and silly round sunglasses. He came across like everyone’s favourite useless Dad, much put-upon and mocked by his grumpy kids Kelly and Jack [he has three older ones too, but we don’t know about them because they weren’t on the MTV series The Osbournes] and his incredibly pushy, ruthless wife (and handler) Sharon [daughter of industry thug Don Arden - born Harry Levy].

Yeah, right. If Ozzy Osbourne was so sweet and innocent, what possessed him, do you think, to write lyrics like the ones in this little charmer called Mr Tinker Train?

Would you like some sweeties little girl?
Come a little closer
I’m gonna show you a brand new world tonight

I’ve got a palace full of fantasy
Ready made just for you and me
Once you’re there I’m gonna take you for a ride

I got a one way ticket
To take you to the other side
I got a one way ticket
So come along and don’t be shy

They call me Mr. Tinker Train
That’s how I got to get my name
They call me Mr. Tinker Train
So come along and play my game

You’ll never be the same

Close the curtains and turn out the lights
Beneath my wing it’s gonna be alright
A little secret just for you and me

I’ve got the kind of toys you’ve never seen
Manmade and a bit obscene
Little angel come and sit upon my knee

Presumably he was being ‘ironic’, right? Or maybe he was satirising the unhealthy attitudes displayed by so many of his confreres within the heavy metal industry, but, as per the claims made by Paul Fleuret and quoted at the beginning, he was ‘working in the dark to serve the light.’

lol.

Anyone who buys into this kind of risible apologism needs to hand in their Awake card right away because it reveals such sublime ignorance of how the world really works.

Always but always - whether it’s the back story of four preternaturally talented Liverpool lads who decided to form a band or that tall tale told by ‘economists’ about how we need more immigrants ‘to do the jobs English people won’t do’ - there is the Approved Narrative lovingly curated to fool the well-intentioned but gullible masses.

And then there is the unpleasant Underlying Truth.

The Approved Narrative on Ozzy Osbourne and Black Sabbath is the one you’ll have read - or more likely not read - in papers like the Daily Telegraph.

Here we ‘learn’ that young John Michael Osbourne - ‘Ozzy’ to his mates - had a chequered early career as a ‘plumber’s mate before moving on to work as a mortuary attendant and car factory horn-tuner, finally settling at an abattoir where he slaughtered cows for two years’ before a ‘brief life of crime in which he spent three months in prison for trying to steal a television set.’ Then ‘when he was 18 he renamed himself Zig and placed a card in the window of his local music shop announcing Ozzy Zig Needs Gig - Has Own PA.’ His subsequent band called themselves Black Sabbath after a 1935 Boris Karloff film because their original name Earth was already taken. Their name - and their record company’s decision to put an inverted crucifix on the gatefold sleeve of their first album - attracted the attention of Satanists who asked Sabbath to play their Night of Satan at Stonehenge. When Sabbath chastely refused, the Satanists put a hex on them, prompting Ozzy to ask his dad, a toolmaker, to kit out the band with some aluminium crosses… etc.

Some of this might even be true. But the only bit that really matters is what they don’t tell you. Just as gangster rap was invented by the elites to put more black people in prison, so heavy metal was devised to turn white boys to suicidal despair and dark occultism. In order to conceal this truth - see the Approved Narrative, above - it was deemed necessary to create a cover story in which heavy metal acts were basically just amiable LARPers, wearing scary make up, sporting inverted crosses, flashing the devil’s horns signs and suchlike not because they remotely believed in any of the Satanic imagery with which they were flirting, but because a) they were a bit thick and didn’t really understand what they were doing and b) it just helped sell the records.

This Big Lie attained its apotheosis in This Is Spinal Tap - which used to be one of my favourite movies. I still find it funny - as how could you not? But director Rob Reiner is definitely in the Big Club, as of course, are players like Christopher “Nigel Tufnel” Guest. Here is Hollywood doing what it does best: deploying its full battery of skills from genius-one-liner-writing to brilliant, pastiche song-writing to lull you into an utterly false sense of security about the nature of the entertainment and music industry: to reassure that it’s all just harmless fun.

But it isn’t harmless fun. Ozzy Osbourne wasn’t harmless fun. None of it is harmless fun.

Only an industry run by and for the devil could fool you into believing otherwise.

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All They Want Is Your Soul

One of my unlikely podcast guests this week is Nick Griffin.

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Griffin - or Nick, as I suppose I should call him, now he’s my new mate - used to be the leader of the notorious British National Party (BNP). Like the party from which it splintered, the National Front, the BNP was and is one of those outfits which the mainstream media likes to brand as ‘fascist’ and ‘far right’ and ‘basically a bunch of Nazis.’

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“I was brought up believing the BBC hype - NickG is equivalent to Satan […] Please do bring Nick back on. Even some of my ‘awake-ish’ friends still recoil in horror at the mention of his name. This exposure can right this wrong.”

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It was prompted when I asked him about whether any attempts had ever been made by shadowy forces to buy him off.

Yes, Nick said. Attempts had been made on a couple of occasions, one of them when he was a member of the National Front.

Representatives of an ultra-orthodox Jew in New York called Rabbi Schiller offered the National Front a large sum of money, on one somewhat surprising condition, which I shall reveal in a moment.

In Italy, meanwhile, on another occasion, some of Nick’s ‘far-right’ fellow travellers were made a similarly generous offer by a wealthy Jewish outfit. Again, the money was dependent on the fulfilment of one surprising term.

Then, Griffin went on, there was the example of his friend in Northern Ireland, a social marketing genius who was offered a blank cheque by Jewish interests, but only on one condition.

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In the case of the National Front, the request was that they should stop griping about the perils and iniquities of the banking system.

With the Italians, the request was that they cease to sing the praises of Corneliu Codreanu, a Romanian fascist leader - founder of the Iron Guard - assassinated in the 1930s.

And in the case of the Northern Irish marketing guru, it was that he should stop talking about the evils of abortion.

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Most Journalists Don't Realise They Are Working for Satan

Sometimes my wife’s newspaper tricks me into reading it. I hate it when this happens, still more so when, as it did the other day, it reduces me to a state of apoplexy.

The story that enticed me was headlined: ‘I Went Off Grid At The End Of My Garden To See If I’d Cope After Armageddon.’ It was accompanied by a picture of the author in woollen hat and anorak, looking glum, superimposed onto a still from one of those post-apocalyptic movies where all the ruined tower blocks are now overgrown with weeds. Well, you can see why I was tempted…

What infuriated me was the very first paragraph:

The Russians have invaded. That’s the most credible scenario, though we can’t rule out a climate catastrophe, deadly pandemic or, indeed, nuclear Armageddon.

‘You bastard!’ I swore at the author, one George Chesterton. ‘You despicable traitor to the human race!’

Possibly this was unfair of me. Chesterton will have been given his brief - ‘Keep it light!’ - and probably thought he was just doing his job. It may well be that, being very likely of a Normie persuasion, he didn’t even notice what he was doing here.

But I noticed.

There is nothing remotely ‘credible’ about the ‘scenario’ of a Russian invasion of the UK. Nor, indeed of a ‘climate catastrophe.’ Nor yet, of a ‘deadly pandemic.’ As for ‘nuclear Armageddon’, for that to happen nukes would first have to exist as viable weapons of mass destruction, which I’m not at all convinced that they do.

Every conceit of that opening paragraph is a lie - and an abominable lie at that because each one of them reinforces in the public imagination a premise which has been designed by some very bad people, the worst in the world, to scare us, to manipulate us, and to exploit us.

This piece is a perfect example of why I so loathe and despise my old trade, print journalism. In the guise of innocuous entertainment, it reinforces our Enemy’s mendacious scare narrative.

People reading that article will have done so with their defences down. “Here’s a bit of fun,” they’ll think, as they approach it, recognising from the comical illustration and the positioning of the article not in the main body of the newspaper but in the lighter-read pull-out supplement that this is not to be taken too seriously.

When you’re relaxed you are much more vulnerable to subliminal messaging. The subliminal message here is: “Russia is a threat. Probably the main thing you should worry about right now. War with Russia is very likely. If it weren’t likely the Swedes wouldn’t have produced this booklet called ‘Om Kristen Ellen Kriget Kommer’ - ‘In case of crisis or war’ - which we are now promoting in this light-hearted piece. So when war with Russia comes, don’t say we didn’t warn you.”

What I find particularly objectionable about this - it’s probably the reason I got so cross - is that I’m still in the midst of reading Two World Wars And Hitler - Who Was Responsible? by Jim Macgregor and John O’Dowd. And what that book makes abundantly clear is that neither the First nor the Second World War started by accident. Both wars were orchestrated by the same kind of people - the Anglo-American Establishment, loosely speaking - who are now pushing us inexorably towards the hot stage of the Third World War, perhaps in the Middle East, perhaps in the Ukraine, using the same methods they used to promulgate the first two wars in their long-planned series of three.

Here, in case you missed it, is my long-read take on that subject.

https://www.jamesdelingpole.co.uk/Writing/Articles/how-to-murder-100-million-people-and-come-out-smelling-of-roses

Short version: none of us actually wants war because war is horrible and stops us doing all the much nicer things we’d prefer to do with our lives like having a family, making a home, and not having our friends killed or our limbs blown off. That’s why They - the Predator Class for whom war is a primary business model - can only get us to participate in Their wars through trickery and cajolery and subterfuge.

Subterfuge like that article I just mentioned above. It’s pretending to be a light, frothy, amusing read. But what it really is is pro-war propaganda.

Same goes for the cartoon the same paper - The Daily Telegraph - ran the next day. The cartoon showed someone in a rowing boat flying the white ensign of the Royal Navy shouting through a megaphone “We see you, Putin. We’re ready.” Meanwhile, beneath the waves, in a sinister submarine with some grabby claws at the front, lurks Putin, ready to destroy Britain’s puny defences.

If you went back about 175 years you’d see British newspapers running similarly unfunny cartoons, probably featuring a giant bear (with ‘Russia’ written on it) sneaking up on a lion or a unicorn or maybe a woman draped in a Union flag (with ‘Britannia’ written on her). Plus ça change.

I complained at the beginning about being ‘tricked’ by my wife’s newspaper into reading it. But quite often, if I’m honest, I don’t need to be tricked. As often as not, my incentives are a mix of morbid curiosity and masochism.

When I read the papers, especially The Telegraph where I worked for many years briefly as a specialist news reporter (Arts Correspondent) and mainly as a feature writer and commentator, I feel like a betrayed wife trawling her memory banks in search of all the instances where she should have noticed her husband was having an affair but failed to do so.

Like the injured wife, I now know that my former partner - the mainstream media - is not the decent upstanding chap I thought he was but a creature of monstrous depravity and evil. Indeed, I sometimes wonder whether the media isn’t more wicked than even Hollywood or the music industry. Without the media’s relentless lies and social conditioning, after all, we would not be nearly so susceptible to the machinations of our dark overlords. The press is what allows our enemies to get away with murder.

But I didn’t know this at all in the decades I spent working for it. And the question I often ask myself is: “How could I have missed what now seems so obvious to me?”

The answer, I think, is that as with the NASA space programme, only a handful of people need to be in on the secret. The vast majority of NASA employees, I’m sure, genuinely believed that they were sending men to the moon. The vast majority of mainstream media employees, I’m equally sure, believe (or at least have persuaded themselves) that they are speaking truth to power without fear or favour, getting to the bottom of what’s really happening in the world, being the first to ‘break’ ‘the news’, and so on. In both cases, the innocent dupes are so focused on the minutiae of their specific tasks they don’t have time to consider the bigger picture or ask questions like “But whose agenda am I really serving here?”

Consider the place where all the biggest lies are originally promulgated. The news room. If you’re the kind of person who reads my stuff you’re probably the kind of person who knows already that most of what appears in the news pages is literally fake news. “Terrorist” outrages, for example.

Just recently, there was a story all over the UK media - to which I paid little attention because it was all over the UK media - about some immigrant black person on a train going rogue and stabbing lots of people.

“Bollocks!” was my instant mental reaction when my one of my kids told me about it. Miri AF smells a rat too.

https://miri.substack.com/p/on-a-knife-edge

Let’s assume that our hunch is correct and that the entire story was fake, that the participants were all crisis actors, that it was yet another false flag devised by the intelligence services to ramp up fear, justify more state monitoring and regulation, and usher in the planned Nigel Farage/Reform regime… Surely that must make all the news reporters who wrote up the story complicit in the crime?

Well, no. At least not knowingly complicit. When a terror incident story breaks, the chances are that none of the news reporters who write it up initially will be anywhere near the scene. They will be stuck in the newsroom in London - and under pressure to get the ‘story’ out for ‘edition’, ie in time for it to appear in tomorrow’s print edition of the newspaper.

Therefore, in the first instance they will do little if any additional investigation of the story. They will take their stories from ‘the wires’, that is from the various press agencies, Associated Press (AP), Reuters and Agence France-Presse (AFP). All the press agencies are owned and controlled by the Cabal. Their job is to put out the official narrative, as dictated to them by The Powers That Be. But there’s no reason why the grunt hacks who take their stories from ‘the wire’ should know this. As far as most journalists are concerned, the Press Agencies are the gold standard, with bigger budgets, bigger staff, more access to information than anyone. No need to query their ‘facts’ either because all your competitor newspapers will be using the same information, which is all that really matters: consistency.

As the story develops there will be room for more active reporting: human interest stories about the experiences of the ‘victims’, a site trip to the location of the incident perhaps incorporating descriptive colour and the reactions of local people, etc.

But any independent reporting will be heavily constrained. Suppose, say, reporters had wanted to visit the Huddersfield train to see for themselves the blood-stained carriage. Well they wouldn’t have been allowed on board, most likely, because the police would have declared it to be a ‘crime scene.’ Same with access to the ‘victims’: it would be rendered impossible, for any number of reasons, from ‘too traumatised’ or ‘unwilling to speak’ or ‘being treated in hospital.’ So really, why bother? Why not instead do what news rooms do and rewrite stories from the wires….

This explains something I often noticed as a journalist but could never quite put my finger on: why disaster stories always felt slightly unreal and the reporting on them always a bit unsatisfactory.

I remember, for example, the incident in 2013 when a British soldier called Lee Rigby was supposedly beheaded in the streets of London by Islamist terrorists. This is quite an unusual and dramatic and frankly hard-to-pull-off thing to occur. How did they spot him if he was in civilian clothes? How come no one intervened as the baddies were busily chopping his head off? Why were the eye-witness accounts so mysteriously sketchy? Why wasn’t there more blood - I mean isn’t there LOTS of blood when you chop someone’s head off?

Neither on the day when I read the ‘news’ - nor in the subsequent follow-up reports, did I get any sense that what purportedly had happened really had happened. This didn’t mean that I discounted the story. For years afterwards, I trusted - because the newspapers wouldn’t lie, I thought - that there was a soldier called Lee Rigby and that he really had been beheaded in the street by two Islamic terrorists. But something about it just didn’t feel right and it was only years later that I realised why: that the whole thing was another bollocks, staged, false-flag operation.

When The Powers That Be are setting up fake news stories like this, one thing they are careful to factor in is repetition. That is, in order for the Big Lie to embed itself in the public consciousness it has to be repeated over and over again until even the very stupid people at the back of the class have taken the Big Lie onboard. One way the media effects this with news stories is to drip out new pieces of information each day, supposedly reflecting the diligent further inquiries of reporters, but really just reflecting how the lie narrative has been storyboarded: Day One: the sketchy, bare bone facts as the story breaks; Day Two: the shocked aftermath, prayers and tributes; Day Three: tales of heroism and tragedy from plucky survivors and grieving relatives.

With the Huddersfield train story, one of the ways they kept it alive was with human interest stories about passengers who had heroically fought back. A story in the online regional newspaper Nottinghamshire Live, later picked up by all the big league tabloids such as the Mail, told of a “Huntingdon train hero” who had been planning to watch his football team Nottingham Forest play at an away game in Austria. Cruelly and unforgivably, according to the story, the airline Ryanair had refused to refund his flight.

Further down the report is the interesting detail that ‘an online fundraiser via JustGiving’ has been created in the hero’s name ‘with the hopes of financially supporting him while he recovers from his injuries.’ Already, we learn, ‘more than £50,000’ has been raised.

I’d lay £50,000 that no reporters on any newspaper will have been there to examine the scars when he pulled off his bandages. As we journalists used to joke back in the day - and as quite possibly they still do - ‘never let the facts get in the way of a good story.’

Everyone who doesn’t work in the media assumes that everyone who does work in the media must be knowingly complicit in the lies that the media spews out every day. My contention, as a former insider, is that this ain’t necessarily so.

So who does know? I suspect by the time you get to the level of editor - or just before you are offered the job - that it is made clear to you what the deal is. Editors, even now that no one buys newspapers, get outrageous pay packages, often including perks like chauffeur-driven cars daily from their agreeable country homes. They also get to become figures of influence. It’s possible that shilling on behalf of evil Satanic elites and destroying their people and their country wasn’t what they signed up for when they started out as cub reporters/got fast tracked to the leader page editorial team thanks to their Oxbridge degree. But big money makes nasty conscience problems go away.

Lower down the feeding chain, it’s hard to say who is genuinely compromised and who is just a useful idiot of the corrupt system. But I’d say that the vast majority of hacks fit into the latter category. One reason I’m pretty sure of this is that I know journalists to be incorrigible gossips. In my day, a lot of them used to drink quite heavily too. What do you talk about over a pint? You talk about work. You trade inside information. And I can assure you that never once in my years as a journalist, including several years as a newspaper staffer, did I ever hear a news hack say anything like: “Well you realise that Diana was still alive and able to walk when they pulled her out of the vehicle. A Merovingian blood sacrifice, that’s what it was, orchestrated by Prince Philip” or “Head chopped off in the streets of Woolwich? You’re bloody kidding me, aren’t you? Everyone in the know knows that this was another MI5 false flag.” Nor, ever, did I hear a hack on the foreign desk intimate that 9/11 was an inside job.

The fact is that most journalists actually believe the crap that goes under their bylines. News reporters, certainly, because most news reporters don’t do any actual reporting. Rather they collate and lightly edit the information that has been handed to them by trusted authorities - the emergency services, the news agencies, etc. Their main sin - and it’s a venial one, not a venal one - is to be far too trusting of their sources. And too lazy - or time pressed - to make independent inquiries.

Because I was never myself a proper news reporter - being Arts Correspondent doesn’t really count because all it involves is going to theatrical first nights and writing about arts funding crises and such like - I don’t consider myself responsible for any of the disgusting Cabal propaganda the Telegraphran in its news pages while I was working for it.

But that doesn’t quite let me off the hook. Earlier I described the news room - though strictly speaking I should have said ‘editorial conference’ - as the place where all the biggest newspaper lies are originally promulgated. It’s the opinion formers, though, in the comment and editorial sections who do the worse damage, in my view. And since I was one of them, I feel I owe you an explanation. But that will have to wait till the second part of this piece…

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